Norway’s Highest Circulation Newspaper VG Deploys LiveU Technology to Expand Online Offering

LiveU-SmartGrip.jpg

LiveU-SmartGrip.jpg

Hackensack, NJ, 21st May, 2013 LiveU (www.liveu.tv), the leader in portable live video-over-cellular solutions, has announced that VG, Norway’s leading newspaper, news website and now online video news site, has been able to successfully expand its live video content use via the deployment of LiveU’s cellular uplinking technology.

 

VG has long recognised the need to expand its brand and readership online and live video was identified as a very important part of that strategy. The newspaper group is using both multiple LU60s (backpack technology) as well as LiveU’s new mobile app solution LU-Smart. This app allows customers to extend their live video coverage from the field using an iPhone or iPad. Based on LiveU’s fourth-generation bonded uplink technology, the LU-Smart bonds internal Wi-Fi and cellular connections, including 3G/4G LTE, to reach optimal video quality.  

 

Pål Hansen, Technical Manager with VG TV, says, “LiveU allows us to go live from the field almost anywhere in an affordable way without the need for a satellite truck. With LU-Smart, we can view and play with live content in new and exciting ways. We use the LiveU technology for both live content and the playback of “as-live” clips via store and forward to the control room. We are very happy with the LiveU technology and the support from their partner Avit Systems.”

 

VG used two LU60 units as well as the iPhone technology at the recent World Skiing Championships in Italy. Feeds from press conferences and interviews with Norwegian skiers were transmitted back to the control room in Oslo then on to the website. The newspaper uses 3G, 4G, WiFi and LAN, to ensure optimum performance. The LU60 units are normally connected to a Panasonic HPX-250 camera, with off-the-shelf servers running LiveU’s LU1000 software that then feed a video router. VG has also installed an Ubuntu server for the live iPhone feeds.

 

Zion Eilam, LiveU’s Key Account Executive, says, “We are very excited to see one of the first uses of our new LU-Smart technology and that works in conjunction with our market-leading backpack solutions. VG is a prime example of how live video online can drive readership and enhance the amount of time people spend on the site. It allows exciting live footage from across the region.”

 

The LiveU solution and support was supplied to VG by Avit Systems, the company’s Norwegian partner.

Leader Instruments announces latest updates to VidChecker and VidFixer file analysis and repair systems

VidFixer_V5.0_screen.jpg

VidFixer_V5.0_screen.jpg

Cypress, California, USA, 20 May 2013: Leader Instruments Corporation announces major updates to the VidChecker and VidFixer broadcast media file analysis and repair systems which it offers to digital content producers and broadcasters in the Americas. 

 

New features introduced with VidChecker V5.0 include two to four times faster processing, post-process re-encoding, advanced MXF metadata checking, automatic aggregation of multiple video alerts, API additions, batch deletion of old test tasks, user-configurable PDF reports, plus support for Dolby E surround sound in MOV (as well as MXF). 

 

VidChecker V5.0 also adds Apple iTunes compatability testing, support for JPEG2000 decode and re-encoding, plus the ability to integrate directly with Telestream’s Vantage file transcoder, Amberfin’s iCR, Root6′s ContentAgent, DVS’ Venice server, Envivio’s OnDemand 4Caster and the SuitcaseTV range of systems.

The new updates are also incorporated into VidFixer V5.0 which offers the same functions as VidChecker V5.0 plus an integral transcoder allowing output in a user-selectable alternative to the source file format.

"VidChecker and VidFixer are highly efficient alternatives to real-time visual inspection during content ingest, media archiving, studio to studio distribution and broadcast playout," comments George Gonos, president of Leader Instruments Corporation. "They provide a powerful safeguard against human error, content discontinuity or data deterioration. Both products are compatible with Microsoft Windows and can be operated locally or via a web browser."

VidChecker and VidFixer not only check but correct the most common problems in file-based content, ensuring that clips, interstitials and complete programmes are immediately ready for post-production or transmission. Automated correction is applied to video and audio levels. Multiple audio tracks, each with up to eight channels, can be checked in just one pass. Audio levels are automatically corrected to ITU-R 1770-2, ATSC A/85 and EBU R-128 loudness recommendations including EBU Tech 3341 windowing and gating modes.

VidChecker and VidFixer are fully scalable from a single license processing four files at the same time up to eight licenses operated simultaneously on a single server or spread across multiple servers working together in a VidChecker Grid for enterprise installations requiring very high throughput.

New Brainstorm website

Madrid, May 20th, 2013. Brainstorm Multimedia, the leading manufacturer of real-time 3D graphics and virtual set solutions, launches today its new corporate multi-platform website www.brainstorm.es. This new site has been developed to provide the users with a better visual experience and navigation, where information and resources are more immediately accessible, featuring additional content download possibilities plus easier access to resellers and points of sale. Brainstorm’s new website not only is significantly faster but has improved the user experience enhancing its visual contents and improving its readability, at the same time that allows the download of a great amount of relevant information.

According to Miguel Churruca, marketing director of Brainstorm “with this new website we want to give users a better access to the available information, easier navigation and better contents, at the same time that we improve its looks and the connection with the social media. We have made a significant effort to improve its accessibility, easy of use and access to the multimedia content, everything developed to improved the user’s experience”.

Set support

CUEBALL

CUEBALL

London, England, 20 May 2013: Camera Corps (a Vitec Group company) announces the latest version of its ultra-compact PTZF Mini Joystick. Originally launched at the 2010 NAB Show in Las Vegas, PTZF Mini Joystick is designed for restricted-space applications such as commentator-camera control or outside-broadcast vehicles. It can control up to five pan and tilt heads from a wide range of manufacturers.

The new PTZF Mini Joystick Version 3 is optimised for use with up to five Camera Corps Q-Ball Pre-Set remotely controlled pan/tilt/zoom/focus heads. 10 positions per head can be assigned and recalled. Individual control reverses are provided for pan/tilt/zoom/focus and stored separately for each of the five heads. Data input from an external camera control unit, data output and incoming power can all be carried via a single connector at the rear of the controller.

Space on the PTZF Mini Joystick panel is saved by using a twist action on the joystick to provide zoom control. Three rotary controls below the joystick provide individual adjustment of pan, tilt and zoom speed and can be set to different values for each of the five Q-Ball Pre-Set heads. The same rotary controls can be used to adjust functions such as manual and auto iris and red/blue gain.

The joystick and control buttons have the same tactile responsiveness as those on our full-size controller," states Camera Corps’ Technical Director Jim Daniels. "These include fully adjustable pan, tilt and zoom speeds and reverses. Zoom is controlled by rotary twist of the joystick. Reverse settings and control speeds for each of the five channels are stored in non-volatile internal memory."

The standard Camera Corps audio data communication system is employed to allow unlimited operating distances between Mini Joystick Control and the remote heads. Each of the five channels has its own red and green cue/tally light switch. Individual channels can be locked to prevent inadvertent alteration of presets. Focus can be remote-adjusted manually or switched between manual and automatic when working with with cameras that support these features.

Available now, Camera Corps’ PTZF Mini Joystick Version 3 operates from a 9 to 18 volt direct current power adapter or battery. Total panel dimensions are 190 x 140 x 110 millimetres. Weight is 400 grammes.

Housed in a robust and fully-weatherproof 115 millimetre diameter aluminium sphere, Q-Ball and Q-Ball Pre-Set are ultra-compact remotely-controlled cameras with integral 10-times zoom optical lens and smooth-accelerating pan/tilt motors. Equipped with a 2 megapixel CMOS sensor and capable of operating in daylight or infra-red illumination, each camera delivers 1080i/720p high definition or 625/525-line standard definition at 50 or 59.94 hertz refresh rates. Pan and tilt slip-rings enable Q-Ball to perform unrestricted rotation at a wide range of speeds with precise control of acceleration and deceleration. Master black and colour saturation control allow accurate colour matching with third-party cameras.

PIXEL POWER BROADCAST ASIA PREVIEW 2013 Stand no: 5E1-05

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ChannelMaster-3RU-plus-hardware-control-panel.jpg

Pixel Power provides innovative graphics production and integrated playout delivery systems for broadcasters, OB truck companies, playout facilities, post-production houses, venues and sports complexes. Its award-winning branding and promotions systems, graphics-enabled master control switchers, and sophisticated HD/SD switchable graphics production systems allow producers to deliver dynamic live and pre-recorded content for any SD, HD, 3D stereoscopic, mobile, online or interactive application. For 25 years Pixel Power’s engineering prowess and dedication to customer support have made it the industry’s first choice.

 

ASIAN LAUNCH OF PIXEL ONDEMAND:

Pixel OnDemand™: Pixel OnDemand delivers Pixel Power’s legendary core graphics engine with use-based pricing to suit IPTV, VOD, multiscreen and other content repackaging business practices. Pixel OnDemand puts the graphics engine into an easily deployed software package that runs on standard IT servers to meet the needs of nonlinear, store-and-play content delivery operations such as IPTV channels, video on demand services, mobile content, news operations, and second screen viewing applications.

 

ASIAN LAUNCH OF PIXEL FACTORY:

Pixel Factory™: At Broadcast Asia 2013 leading broadcast graphics specialists Pixel Power will also debut in Asia a new turnkey, server-based implementation of its renowned core graphics engine – Pixel Factory. The new system supports file-based operations in broadcast workflows where output quality and process automation are highly valued, but the enhanced hardware demands of live production and playout are not required. Pixel Factory employs the same core graphics software engine common to all Pixel Power hardware systems. Output from Pixel Factory is pixel-for-pixel identical to the output from Pixel Power Clarity™, LogoVision™, BrandMaster™ and ChannelMaster™ systems.

 

ALSO ON SHOW:

Pixel Power will also be showing ChannelMaster, a family of integrated, scalable channel playout systems that provide a cost-effective, reliable approach to deploying new channels, without compromise. Gallium™ will also be on show. This is the company’s highly integrated, sophisticated and scalable scheduling, asset management and automation system that provides the intelligence to build a variety of playout solutions using Pixel Power output devices. It’s ideal for playout facilities that need to implement automated control of the company’s transmission devices for graphics or complete channel playout. The latest developments to Clarity™ will also be highlighted. These include TextFX, which greatly increases the creative scope for text elements. This includes highlights, edge effects and drop shadows with all of those effects able to be animated. Smart Stacks combines multi-layer, multi-timeline pages with the company’s automated transition logic (ATL) functionality and existing staking system for playout pages. This is perfect for a production that requires complex 3D graphics with frequent back-to-back graphics events throughout a show.

 

CONFERENCE APPEARANCE – James Gilbert, Joint MD of Pixel Power, will be taking part in a conference panel session on 18th June at 14:00 entitled: Tackling the Challenges of HD Broadcasting.

LIVEU BROADCAST ASIA PREVIEW 2013

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LU40-S-Jan-2013.jpg

LiveU Stand: 4B1-11 + 4B1-12

LiveU (www.liveu.tv), the leader in portable live video-over-cellular solutions, will demonstrate its complete range of bonded 3G/4G uplink solutions for broadcast and online media, offering a one-stop-shop for live news, sports and event coverage.    

Based on the fourth-generation of LiveU’s disruptive technology, the portfolio includes a wide choice of devices to meet customers’ different needs:

·         Professional-grade LU70 backpack, with its proprietary internal and external antenna arrays for extra-strong resiliency and sub-second latency;

·         Handheld, lightweight LU40-S device, weighing less than 1.5 pounds (700 grams), with its internal antenna and new live newsgathering features;

·         LU-Smart mobile app solutions, bringing bonded transmission to mobile phones and tablets (iPhone, iPad and Android devices), including its patent-pending Smart Grip device with its chargeable battery and MiFi channel (or any other mobile hotspot);

·         LU-Lite software-only solution, enabling fast and reliable file transfer and live video over multiple platforms, from fixed locations, in the field and on-the-move;

·         LiveU integrated Xtender antenna for extra-strong resiliency in extreme scenarios – vehicle-mounted or tripod mounted.

All LiveU products are incorporated into the LiveU ecosystem by LiveU’s unified management platform, LiveU Total™, enabling control rooms to manage multiple video feeds from LiveU units operating in diverse locations.

Colourist Jamie Parry joins dock10

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jamie_parry2.jpg

Salford, UK – 16th May 2013dock10, the MediaCityUK-based media services provider, has appointed Jamie Parry as Colourist as its state-of-the-art post-production facility continues to expand.

 

RTS-nominated Parry spent nine years at Sumners where he worked on a range of features, high-end drama and documentaries. His credits include Young Dracula, Waterloo Road, When God Spoke English: The Making of the King James Bible and Leaving. Prior to that he was at Granada for seven years where he worked on projects including The Forsyte Saga, Clocking Off and Phoenix Nights.

 

Paul Austin,Head of Post Production and Content, said, “As we continue to develop our facilities with the latest innovations and best-of-breed technology, we are also building a world-class team in tandem. Jamie’s reputation and extraordinary talent precede him, he loves what he does and people love working with him. We’re delighted that he has joined dock10 at this exciting time.”

 

Jamie Parry said, “I chose to join dock10 largely because they have such a positive attitude to moving forward. They are already attracting great work and they have interesting ideas in traditional broadcast and beyond – it’s going to be exciting to play a role in such a forward-thinking company.”

Euroson America, Inc. Announces Archive Solutions for Avid Projects based upon Marquis Broadcasting’s Project Parking.

16 May 2013: Euroson America, Inc. http://www.eurosonamerica.com, an established provider of Data Archive Solutions has released new archive solutions developed for AVID users.  These systems are designed to meet the needs of production and post-production facilities with a large throughput of AVID projects, particularly broadcasters.

The new AVID Archive Solution based upon Marquis Broadcasting’s Project Parking, now provides a cost effective archive storage device to free up edit storage space, transfer projects from one site to another and create version snapshots of projects. Available configurations using Professional Blu-Ray technology are certified to provide reliability and accuracy of data for 50+ years.

Marquis Project Parking software takes a complete snapshot of AVID projects, including bins, sequences, and GUI layouts, along with every piece of reference media, and archives a copy onto any storage device.  These projects can then be browsed and easily restored.

Euroson solutions integrate archive storage using the virtual file systems of PoINT software. The well-established PoINT file system provides Project Parking with connectivity to all PoINT Software applications including Jukebox Manager, Archiver and Storage Manager. All contemporary archive storage technologies and devices are directly supported, including LTO Tape Libraries and autoloaders, Blu-Ray Libraries and Publishing Systems. Additional features include a Policy based method of identifying data to be archived, and the PoINT TAFS file system which replaces original files with links to the archive providing Avid Media Access.

Optical storage Libraries and Publishing systems incorporating Pioneer PR-1 professional drives and MKM Archive grade media provide Blu-Ray media solutions with unsurpassed accuracy and certified 50+ year storage life.

By providing a simple solution for managing AVID media as projects users are able to archive and transport entire projects quickly and easily. This solution also offers the capacity, portability and accessibility, which make it ideal for disaster recovery, business continuity and inter-site workflows.

“In today’s world of ever growing content broadcasters are faced with the challenge of preserving projects for indefinite periods while optimizing available AVID storage” said Kevin Byrne, president of Euroson America, Inc., “Euroson understands this challenge and offers a complete solution using Project Parking and PoINT software to integrate contemporary archive storage technologies into the process.” The solutions are available from Euroson as software only solutions as well as complete pre-configured NAS systems including a wide range of archive storage devices.

Yuvad releases new real-time encoding and file-based transcoding system in three pre-configured models specifically optimized for OTT services

San Jose, CA, May 14, 2013…Yuvad Technologies, (www.yuvad.com) a leading provider of video encoding and processing platforms, today announced the general availability of its Yuvision™ family of video encoding solutions. The Yuvision products have been developed specifically for multiscreen encoding for the over-the-top (OTT) market. They are based on the Yuvad flagship CES platform. With over one thousand systems shipped worldwide, the CES products are considered to have one of the highest encoding quality outputs on the market as well as one of the highest processing throughputs in the industry. With its full-redundancy clustering support and advanced advertising capabilities, the Yuvad CES family of flagship products are also one of the most cost-effective and flexible solutions in the market.

Reconfigurable for different functions

Yuvision products can be configured by customers for either live/real-time encoding or file-based transcoding because both real-time and file-based transcoding licenses are delivered with each system. Customers will no longer be locked into a single purpose hardware system. This is ideal for users needing both live streaming and on-demand content encoding.

Affordability at the highest performance

Yuvision performance is measured not only in terms of the number of output streams per system, but also in terms of the bandwidth efficiency of the encoded output streams. With higher compression efficiency, customers save on the costs of network transport and storage, both of which are recurring costs, and improve the general viewing experience – higher video quality at any given bit rate. Clearly and competitively priced, the Yuvision systems are available in three models – Base, Standard and Premium – providing customers a clear idea of their total deployment costs.

Clustering for redundancy and scalability

Multiple Yuvision systems can be configured as a cluster (requiring an iCluster server node) to support fault-tolerance for live stream encoding. The same cluster, under the control of the Yucoder file transcoding manager software, can also provide load-balancing and fault-tolerance amongst multiple transcoding nodes.

Integrated advertising for content monetization

Yuvision products are designed with integrated advertising functionalities as optional licenses. Customers do not need to purchase additional hardware if and when they decide to monetize their OTT distributed content. With Yuvision products, advertising support that can be turned on whenever customers choose to do so with the purchase of an optional license. Yuvision advertising features include digital overlay, digital ad insertion, targeted advertising based on Automatic Content Recognition (ACR) and can be configured to support independent advertising over hundreds of live streams across multiple target devices. For more information on Yuvision advertising feature, please contact Yuvad sales.

Expect the same level of product quality and professional support

Yuvision products are part of the Yuvad product family which has already established its reputation with its worldwide deployment, solid product quality and first class professional service and support. For more information about Yuvad Technologies, please visit our website: www.yuvad.com

Dr. Ji Zhang, Chairman and CEO of Yuvad Technologies, states, “The Yuvision family will make it possible for more customers to see and benefit from the advantage of Yuvad’s technologies. By providing both real-time encoding and file-based transcoding solutions, Yuvad will make it possible for more providers to use our systems and more viewers to see the quality output that they would expect to see. We expect that as more people become aware of Yuvad’s technology advantages, that more providers will also investigate Yuvad’s advertising feature based on Automatic Content Recognition (ACR) technologies. And they will be glad to know that their initial investment can carry forward with them so that they have a solution that is both high video quality and can support targeted advertising that will make it easier for them to maximize the audience base and be able to monetize their content at the same time.”

 

Guild of Television Cameramen announces 2013 GTC award winners

GTC Awards 11th May 2013. 13.5.13..(c) Pictures; Stephen Huntley.07973 208461...16 CM3 4RP

GTC Awards 11th May 2013. 13.5.13..(c) Pictures; Stephen Huntley.07973 208461…16 CM3 4RP

GTC Awards 11th May 2013. 13.5.13..(c) Pictures; Stephen Huntley.07973 208461...16 CM3 4RP

GTC Awards 11th May 2013. 13.5.13..(c) Pictures; Stephen Huntley.07973 208461…16 CM3 4RP

GTC Awards 11th May 2013. 13.5.13..(c) Pictures; Stephen Huntley.07973 208461...16 CM3 4RP

GTC Awards 11th May 2013. 13.5.13..(c) Pictures; Stephen Huntley.07973 208461…16 CM3 4RP

15 May 2013
 
The Guild of Television Cameramen announced the winners of its 2013 awards during a presentation at the ‘A Day in the Country’ venue in Aynho, Oxfordshire, on Saturday 11 May.

The day included the GTC’s 41st annual general meeting in the afternoon. Either side of the AGM, more than 60 members enjoyed a range of ‘country pursuits’ including 4×4 driving, rage buggies, clay pigeon shooting and archery. A range of camera-related equipment was brought along by sponsor companies for GTC members to try out.

The day culminated with the celebration of this year’s best camerawork as nominated by GTC members. Winners of GTC awards are always keen to emphasise how highly valued this accolade from their peers is. The awards were announced and presented by the current chair of the GTC, Keith Massey.

This year’s top award, the TiCA, went to Charles Lagus who was the BBC’s first natural history cameraman, working with Sir David Attenborough on the broadcaster’s initial nature series. Sir David recalls: "We simply disappeared for four to six months at a time, armed with nothing more than a couple of letters of introduction and our pockets stuffed with dollar bills. It was just the two of us; we didn’t have a director until about 15 years later!"

The Mike Baldock Award was presented to camera operator and 3D stereographer Holly Bantleman for her work with Raise the Roof in Kenya. She juggles a career in the UK with running the Kenya based charity which she founded at the age of just 24. The charity is enthusiastically supported by her employer, Telegenic, and many camera crew colleagues on location who are to be seen sporting Raise the Roof tee-shirts. It has already ‘raised the roof’ on the Barut Youth Development and Sports Centre.

The GTC Seal of Approval for an innovative piece of equipment was awarded to the Sony HDVF-EL75 studio colour viewfinder, praised for its contrast ratio of more than 1,000,000:1, efficient power consumption, wide viewing angle and extremely fast response time, meaning it is possible to focus on fast moving targets with a colour viewfinder.

The day culminated with the presentation of GTC Awards for Excellence. Winners this year are:

Fred Scott for Atma Refuge Camp, Syria (BBC News), BBC1.

Graham Maunder for Cold Chain Mission, BBC2.

Nat Hill for Coldplay MX World, BBC1.

Richard Cook and Christian and Paola Moullec for Earthflight, BBC HD.

Jonathan Young for Extreme World: Karachi, BBC1.

Tony Etwell for Grand Designs: The Water Tower, Channel 4.

Dave Minchin for Great Continental Rail Journeys, Boundless for BBC2.

Marcus Elliott for Heroes of the Skies: Wingwalker, Five.

Paul Kirsop for Hunted, Kudos for the BBC.

Jonathan Young and Balazs Bolygo for Indian Ocean with Simon Reeve, BBC 2.

The whole camera team for Later with Jools, BBC2 – a special award for continuing excellence.

Nigel and Peter Meakin for Michael Palin in Brazil, BBC2.

Fabian Wagner for Mrs Biggs (Episode 1), ITV 1.

Barrie Dodd and the whole camera team for Olympics Opening Ceremony, LOCOG for the BBC.
 
David Higgs for Restless, BBC1.

Marcel Zyskind for whole Crew Alastair Rae, Simon Tindall, Mark Silk, Jake Marcuson and Henry Landgrebe for Weightwatchers Commercial, Channel 4.

Main ‘gold’ sponsor for the day was Camera Corps, part of the Vitec Group, which brought along a selection of equipment including Q-Ball remote pan/tilt/zoom/focus heads and controllers for members to view. These were demonstrated by Neil Ashworth, Steve Lundie and Jeff White. The GTC is also very grateful to its other sponsors who all contributed to making the day such a success: Aerial Vue, Atomos, Dan Greenway, Ianiro Lighting, Miller Tripods, Panasonic, Polecam, Presteigne Charter, Quadcopters, Shooting Partners, Videosys Broadcast and Zest4TV.